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   Cover
   Introduction
   Introduction-2
   Table of contents
The earliest descriptions
    Part I
  [01]   [02]   [03]   [04]   [05]
  [06]   [07]   [08]   [09]   [10]
  [11]   [12]   [13]   [14]   [15]
  [16]
 The Japanese way
    Part II
  [01]   [02]   [03]   [04]   [05]
  [06]   [07]   [08]   [09]   [10]
  [11]   [12]   [13]   [14]
Recorded changes
    Part III
  [01]   [02]   [03]   [04]   [05]
  [06]   [07]   [08]   [09]   [10]
  [11]   [12]   [13]   [14]   [15]
  [16]   [17]   [18]   [19]   [20]
  [21]   [22]   [23]   [24]   [25]
  [26]   [27]   [28]   [29]   [30]
  [31]   [32]   [33]   [34]
Inner gardens
    Part IV
  [01]   [02]   [03]   [04]   [05]
  [06]   [07]   [08]   [09]   [10]
  [11]   [12]   [13]   [14]   [15]
  [16]   [17]
Physical evolution
    Part V
  [01]   [02]   [03]   [04]   [05]
  [06]   [07]   [08]   [09]   [10]
  [11]   [12]   [13]   [14]   [15]
  [16]   [17]   [18]   [19]   [20]
  [21]   [22]   [23]   [24]
 
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Lotus
Int-2 		   
If, indeed, the outer form of Her Pavilion has evolved over the years under Her guidance, and the size of the island on which it was to be situated has gradually encompassed more elements of   Her   creation,   there   have   been
  
constant features - such as the presence of Light striking Her and Sri Aurobindo's symbols, of the columns animating the inner space of concentration - and a constant relationship between the island, the body of water and the tall trees surrounding it .

This presentation attempts to show this constant relationship and the living harmony that emanates from it, enriching each of its main elements. And how this harmony has actually been the underlying guiding force of cohesion and agreement during the 30 years of work that have elapsed since 1973.

This is an offering to the Lord,
For Her.
  


"Perfect Path"

  
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