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The earliest descriptions
    Part I
  [01]   [02]   [03]   [04]   [05]
  [06]   [07]   [08]   [09]   [10]
  [11]   [12]   [13]   [14]   [15]
  [16]
 The Japanese way
    Part II
  [01]   [02]   [03]   [04]   [05]
  [06]   [07]   [08]   [09]   [10]
  [11]   [12]   [13]   [14]
Recorded changes
    Part III
  [01]   [02]   [03]   [04]   [05]
  [06]   [07]   [08]   [09]   [10]
  [11]   [12]   [13]   [14]   [15]
  [16]   [17]   [18]   [19]   [20]
  [21]   [22]   [23]   [24]   [25]
  [26]   [27]   [28]   [29]   [30]
  [31]   [32]   [33]   [34]
Inner gardens
    Part IV
  [01]   [02]   [03]   [04]   [05]
  [06]   [07]   [08]   [09]   [10]
  [11]   [12]   [13]   [14]   [15]
  [16]   [17]
Physical evolution
    Part V
  [01]   [02]   [03]   [04]   [05]
  [06]   [07]   [08]   [09]   [10]
  [11]   [12]   [13]   [14]   [15]
  [16]   [17]   [18]   [19]   [20]
  [21]   [22]   [23]   [24]
 
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Lotus

PIII p18		   
When the Mother first saw the painting, She asked Huta to alter the length of the grass and make it shorter. This Huta did.
The Mother laughed at seeing the squirrels, the deer and the rabbit.
After a little concentration, She wrote, for the painting:
"The inner life".
  
  

PIII p19  
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