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   Cover
   Introduction
   Introduction-2
   Table of contents
The earliest descriptions
    Part I
  [01]   [02]   [03]   [04]   [05]
  [06]   [07]   [08]   [09]   [10]
  [11]   [12]   [13]   [14]   [15]
  [16]
 The Japanese way
    Part II
  [01]   [02]   [03]   [04]   [05]
  [06]   [07]   [08]   [09]   [10]
  [11]   [12]   [13]   [14]
Recorded changes
    Part III
  [01]   [02]   [03]   [04]   [05]
  [06]   [07]   [08]   [09]   [10]
  [11]   [12]   [13]   [14]   [15]
  [16]   [17]   [18]   [19]   [20]
  [21]   [22]   [23]   [24]   [25]
  [26]   [27]   [28]   [29]   [30]
  [31]   [32]   [33]   [34]
Inner gardens
    Part IV
  [01]   [02]   [03]   [04]   [05]
  [06]   [07]   [08]   [09]   [10]
  [11]   [12]   [13]   [14]   [15]
  [16]   [17]
Physical evolution
    Part V
  [01]   [02]   [03]   [04]   [05]
  [06]   [07]   [08]   [09]   [10]
  [11]   [12]   [13]   [14]   [15]
  [16]   [17]   [18]   [19]   [20]
  [21]   [22]   [23]   [24]
 
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Lotus

PV p2		   
The excavation work was completed early 1972.
The casting of the foundations for the Matrimandir began on 21.2.72, the Mother's birthday.
On 17.7.1972 the Mother named the four pillars of the Matrimandir:
  
  
Much earlier the  Mother  had indicated for  Huta  the colours of the attires  befitting  the  Mahashakti  and each of Her four aspects:
"Supreme Mother: white and gold.
Mahakali: red and gold.
Maheshwari: royal blue and gold.
Mahasaraswati: white and red.
Mahalakshmi: pink, green and mauve, all pastel colours."

Roger's concept for the central area has now evolved to include twelve large petals around the sphere and lesser earth movements away from it, to express the symbol of the perfect golden sphere emerging from the opening earth.


PV p3  

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